Pueblo Windows and Doors, 1999018011, UT gelatin silver print image 18x11
Joan Gentry began her photography with a
gift of a Brownie Hawkeye camera while in junior high school. After
several years enjoying photographing the sites of New Mexico and her
family and friends therein, she grew up, found motherhood and a
twin-lens reflex camera. Then a more convenient Nikon provided her with
enjoyment as she used color slides to watch her children grow and to
photograph the changing New Mexico landscape. In the late 60’s she
discovered the joy of processing and printing B/W prints. As part of
her lifelong commitment to photography, she earned a Master of Arts
degree from the University of New Mexico in 1976 where she studied with
Beaumont Newhall, Tom Barrow, and Anne Noggle, among a distinguished
group of instructors.
Joan’s photography during college years included a major street
photography project in Albuquerque and Santa Fe as well as documenting
the surrounding towns such as Madrid, Golden, and the landscape of
Northern New Mexico. She has a major series of work on the Getty Museum
in Los Angeles and architectural studies in Los Angeles, Albuquerque
and Santa Fe. Abstract light/shadow architectural work on the UNM
campus in the 70’s was continued in the 80’s and 90’s. More recently
she has photographed extensively in the Ancestral Pueblo areas of
Southern Utah while also continuing significant landscape work.
Nazraeli Press published The Anasazi Project in 2012. She has produced an ongoing series of abstract images called PhotoBlots, many made without negatives.
Joan lives in Santa Fe with her husband Don Kirby from whence they roam
the country in a pop-top camper in pursuit of their photographic
interests.
gelatin silver print
image 18x11
Joan’s photography during college years included a major street photography project in Albuquerque and Santa Fe as well as documenting the surrounding towns such as Madrid, Golden, and the landscape of Northern New Mexico. She has a major series of work on the Getty Museum in Los Angeles and architectural studies in Los Angeles, Albuquerque and Santa Fe. Abstract light/shadow architectural work on the UNM campus in the 70’s was continued in the 80’s and 90’s. More recently she has photographed extensively in the Ancestral Pueblo areas of Southern Utah while also continuing significant landscape work. Nazraeli Press published The Anasazi Project in 2012. She has produced an ongoing series of abstract images called PhotoBlots, many made without negatives.
Joan lives in Santa Fe with her husband Don Kirby from whence they roam the country in a pop-top camper in pursuit of their photographic interests.
Joan Gentry web sitehttps://joangentry.com